On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 172
... poet's years of " Withdrawal - and - Return " . Always restlessly experimental , he tired of the objectively - drawn figure , made vivid by an unerring choice of significant detail , and taught himself to portray the heart of man . The ...
... poet's years of " Withdrawal - and - Return " . Always restlessly experimental , he tired of the objectively - drawn figure , made vivid by an unerring choice of significant detail , and taught himself to portray the heart of man . The ...
Page 197
... poet , but the poet counter - attacks by making emotional capital out of the storm . So too at Macbeth's first entry upon the Platform , the exultation of the victorious general is brilliantly combined with the sinister jingle of the ...
... poet , but the poet counter - attacks by making emotional capital out of the storm . So too at Macbeth's first entry upon the Platform , the exultation of the victorious general is brilliantly combined with the sinister jingle of the ...
Page 226
... poet's " Withdrawal- and - Return " . We shall notice then that the new method of characterisation is no less than the old a poetic creation , that it is indeed still more closely bound up with the art of the poet who was constantly ...
... poet's " Withdrawal- and - Return " . We shall notice then that the new method of characterisation is no less than the old a poetic creation , that it is indeed still more closely bound up with the art of the poet who was constantly ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages