On Producing ShakespeareM. Joseph, 1950 - 335 pages |
From inside the book
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Page 75
... once in the thick of the battle . Here too a loud and prolonged Alarum marks the transition of both time and place . But the fact is that poets and actors often recognise when it is justifiable to break the laws and principles ...
... once in the thick of the battle . Here too a loud and prolonged Alarum marks the transition of both time and place . But the fact is that poets and actors often recognise when it is justifiable to break the laws and principles ...
Page 243
... once.163 This admirable directness of procedure is a conspicuous feature of Richard III . Turning page after page of the Folio , one is left with the impression that the main sequence of the play is acted out on the naked Platform , and ...
... once.163 This admirable directness of procedure is a conspicuous feature of Richard III . Turning page after page of the Folio , one is left with the impression that the main sequence of the play is acted out on the naked Platform , and ...
Page 277
... once on the Platform below them . ACT I , Scene ii ( Scene - Rotation , pp . 31 ff . ) meeting a bleeding Captaine . The significant fact at once emphasised in Duncan's opening words : What bloody man is that ? The description is an ...
... once on the Platform below them . ACT I , Scene ii ( Scene - Rotation , pp . 31 ff . ) meeting a bleeding Captaine . The significant fact at once emphasised in Duncan's opening words : What bloody man is that ? The description is an ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages