On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 170
... character in contrast , and perhaps also in conflict , with other characters or with circumstances . We have ordinarily been taught that with the author character comes first and foremost , not only in importance but in point of time ...
... character in contrast , and perhaps also in conflict , with other characters or with circumstances . We have ordinarily been taught that with the author character comes first and foremost , not only in importance but in point of time ...
Page 172
... character independent of those words . Whether he was dealing with the earlier objective or the later " inward " character , Burbadge , I think , did not digress into psycho- logical speculations such as are supposed to have given ...
... character independent of those words . Whether he was dealing with the earlier objective or the later " inward " character , Burbadge , I think , did not digress into psycho- logical speculations such as are supposed to have given ...
Page 220
Ronald Watkins. creation of atmosphere , so also in character - drawing the method of the poetic drama not only gives us the character but also sometimes hints at how we should react to it . Ulysses ' portrait of Diomed— ' Tis he , I ken ...
Ronald Watkins. creation of atmosphere , so also in character - drawing the method of the poetic drama not only gives us the character but also sometimes hints at how we should react to it . Ulysses ' portrait of Diomed— ' Tis he , I ken ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages