On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 73
... already mapped out , he chooses a door for his first entry and the rest follow almost in- evitably from that initial choice . The result will read like very plain common sense , but it is worth emphasising the simplicity because it ...
... already mapped out , he chooses a door for his first entry and the rest follow almost in- evitably from that initial choice . The result will read like very plain common sense , but it is worth emphasising the simplicity because it ...
Page 100
... already over and has to be cleared for the dancing , is probably set and disclosed in the Study - because it is already over . 210 Scenes of conference , involving the use of a table , seem to be dis- closed in the Study . King Henry IV ...
... already over and has to be cleared for the dancing , is probably set and disclosed in the Study - because it is already over . 210 Scenes of conference , involving the use of a table , seem to be dis- closed in the Study . King Henry IV ...
Page 227
... already been pointed out that the unlocalised stage by its very neutrality of aspect helps to bring them to life , and it has been suggested that the miming of the Chamberlain's Men would also contribute to this end . Meanwhile we must ...
... already been pointed out that the unlocalised stage by its very neutrality of aspect helps to bring them to life , and it has been suggested that the miming of the Chamberlain's Men would also contribute to this end . Meanwhile we must ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages