On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 58
... Richard II to Richard III would be all the clearer if we came to recognise the recurrent emblems , some of which provide imagery for the poet's dialogue . But apart from this consideration , the same principle applies that we should ...
... Richard II to Richard III would be all the clearer if we came to recognise the recurrent emblems , some of which provide imagery for the poet's dialogue . But apart from this consideration , the same principle applies that we should ...
Page 64
Ronald Watkins. piece generally used to grace a procession . The great moment when Richard of Gloucester mounts the throne of his ambition is thus marked in the Folio : Sound a Sennet . Enter Richard in pompe.100 The parallel crisis in ...
Ronald Watkins. piece generally used to grace a procession . The great moment when Richard of Gloucester mounts the throne of his ambition is thus marked in the Folio : Sound a Sennet . Enter Richard in pompe.100 The parallel crisis in ...
Page 221
... Richard of Gloucester springs the news that his brother Clarence is dead , the actors look their horrified surprise , and we are not allowed to miss the fact : Buc . Looke I so pale Lord Dorset , as the rest ? Dor . I my good Lord , and ...
... Richard of Gloucester springs the news that his brother Clarence is dead , the actors look their horrified surprise , and we are not allowed to miss the fact : Buc . Looke I so pale Lord Dorset , as the rest ? Dor . I my good Lord , and ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages