On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 38
... Elizabethan audience . A modern producer will do well perhaps to use no furnishings of a period later than the Elizabethan , but need set himself no bounds before that date . It is 33 In the Appendix at the end of this book will be ...
... Elizabethan audience . A modern producer will do well perhaps to use no furnishings of a period later than the Elizabethan , but need set himself no bounds before that date . It is 33 In the Appendix at the end of this book will be ...
Page 54
... Elizabethan " 81 ; and he suggests that Shakespeare , by this Elizabethan colour , is deliberately expressing his own feelings about his fatherland . But in fact there is what might be called an Eliza- bethan substructure in all the ...
... Elizabethan " 81 ; and he suggests that Shakespeare , by this Elizabethan colour , is deliberately expressing his own feelings about his fatherland . But in fact there is what might be called an Eliza- bethan substructure in all the ...
Page 315
... Elizabethan style . The substructure should be Elizabethan - indeed , in many plays the whole wardrobe will be Elizabethan - but on top of this , one should superimpose the Elizabethan's idea of a Roman , a Scots- man , a fairy or a ...
... Elizabethan style . The substructure should be Elizabethan - indeed , in many plays the whole wardrobe will be Elizabethan - but on top of this , one should superimpose the Elizabethan's idea of a Roman , a Scots- man , a fairy or a ...
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Common terms and phrases
acting action actors Alarum appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised Window-Stages