Where I've Been, and where I'm Going: Essays, Reviews, and ProsePlume, 1999 - 386 pages This compilation of nearly 50 recent essays and reviews by one of America's leading literary figures demonstrates Joyce Carol Oates's passionate and wide-ranging interests. Fairytales ancient and modern, the literature of serial killers, surrealist art. boxing -- these are but a few of the subjects to which Oates turns her formidable intelligence. From studies of literary and art history, to examinations of the creative process and the role Of the artist in society. Oates's eloquent and thought-provoking commentaries remind us of the pleasures of the essay form. Included here are significant studies of such literary personalities as F. Scott Fitzgerald. Raymond Chandler. Sylvia Plath and Paul Bowles. among others. Where I've Been, and Where I'm Going also features Oates's writings about her own work, including essays on Expensive People. Wonderland, and Foxfire. Like her 1988 collection. (Woman) Writer: Occasions and Opportunities, these fascinating essays are a privileged glimpse into one of the most fascinating minds of our era. |
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Page 113
... figure since his death , though never achieving Chandler's prominence and commercial success . Like Chandler he was a despondent alcoholic who drank himself to death ; he died a recluse . Of Chandler's younger contemporaries and heirs ...
... figure since his death , though never achieving Chandler's prominence and commercial success . Like Chandler he was a despondent alcoholic who drank himself to death ; he died a recluse . Of Chandler's younger contemporaries and heirs ...
Page 153
... figure of intense controversy ; a media figure of a kind " too much aware of ... the audience ” —to quote from Sexton's English editor at Oxford University Press , Jon Stallworthy , in 1972 . Only Ginsberg seems to have evoked such ...
... figure of intense controversy ; a media figure of a kind " too much aware of ... the audience ” —to quote from Sexton's English editor at Oxford University Press , Jon Stallworthy , in 1972 . Only Ginsberg seems to have evoked such ...
Page 353
... figure in his work for philosophical reasons - his distrust of the quaint and the sentimental . He may have realized that he wasn't comfortable with the human figure , and couldn't render it in a way that satisfied his formalist eye ...
... figure in his work for philosophical reasons - his distrust of the quaint and the sentimental . He may have realized that he wasn't comfortable with the human figure , and couldn't render it in a way that satisfied his formalist eye ...
Contents
Where Is an Author? | 3 |
In Olden Times When Wishing Was Having | 9 |
The Aesthetics of Fear | 26 |
Copyright | |
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