The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 58
... wings ; in Psyche , both Cupid and Psyche are winged creatures though not yet shown in flight ; in Nightingale , Keats at last wills to fly , if not on actual wings , then on the viewless wings of Poesy . The erotic dream died only with ...
... wings ; in Psyche , both Cupid and Psyche are winged creatures though not yet shown in flight ; in Nightingale , Keats at last wills to fly , if not on actual wings , then on the viewless wings of Poesy . The erotic dream died only with ...
Page 269
... wings to balance our risings and our fallings : The difference of high Sensations with and without knowledge ap- pears to me this- in the latter case we are falling continually ten thousand fathoms deep and being blown up again without ...
... wings to balance our risings and our fallings : The difference of high Sensations with and without knowledge ap- pears to me this- in the latter case we are falling continually ten thousand fathoms deep and being blown up again without ...
Page 278
... wings to follow the allegorical figures in In- dolence and the bird in Nightingale , together with the wild voyage in the draft of Melancholy - yield to the generous and frequent finding of the goddess ' in the fields ; the bursting of ...
... wings to follow the allegorical figures in In- dolence and the bird in Nightingale , together with the wild voyage in the draft of Melancholy - yield to the generous and frequent finding of the goddess ' in the fields ; the bursting of ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing