The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 91
... turn his attention to the restricted center of all art - circles , a pure close conjunction of medium and au- dience , and so here forgoes both visual panorama and classical legend . Finally , the poet is within the bower , and begins ...
... turn his attention to the restricted center of all art - circles , a pure close conjunction of medium and au- dience , and so here forgoes both visual panorama and classical legend . Finally , the poet is within the bower , and begins ...
Page 108
... turn away from the realm of abstract melody to the realm of representational art , to see whether he could find a model for his own practice in those arts which represent in visible mimetic form the passions , ideals , and sufferings of ...
... turn away from the realm of abstract melody to the realm of representational art , to see whether he could find a model for his own practice in those arts which represent in visible mimetic form the passions , ideals , and sufferings of ...
Page 223
... turn , in Autumn , to a real final sacrifice of physical being . The powers of sense will be restored in that ode ... turns his scrutiny on the potentially infinite movements of the natural world . Forsaking his poem of art - Thought ...
... turn , in Autumn , to a real final sacrifice of physical being . The powers of sense will be restored in that ode ... turns his scrutiny on the potentially infinite movements of the natural world . Forsaking his poem of art - Thought ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing