The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 31
... soul " when we are laid asleep in body , Keats borrows from Tintern Abbey a Wordsworthian division of body and soul which will not , in the long run , prove congenial to him . The philosophical Wordsworthian language for what happens ...
... soul " when we are laid asleep in body , Keats borrows from Tintern Abbey a Wordsworthian division of body and soul which will not , in the long run , prove congenial to him . The philosophical Wordsworthian language for what happens ...
Page 79
... soul , inspired by Apollo , as a creature in flight , while the body is " earthward pressed " : Aye , when the soul is fled Too high above our head , Affrighted do we gaze After its airy maze . The soul , fled too high to be seen by the ...
... soul , inspired by Apollo , as a creature in flight , while the body is " earthward pressed " : Aye , when the soul is fled Too high above our head , Affrighted do we gaze After its airy maze . The soul , fled too high to be seen by the ...
Page 210
... soul whose priest he would be in his Ode to Psyche ; it was its own " soul " that he said the nightingale poured forth in music ; it was " the spirit " that he preferred to the sensual ear in Urn ; and it was the soul of the hero that ...
... soul whose priest he would be in his Ode to Psyche ; it was its own " soul " that he said the nightingale poured forth in music ; it was " the spirit " that he preferred to the sensual ear in Urn ; and it was the soul of the hero that ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing