The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 118
... question it , to ask of it , " Who are these people , and what are they doing ? " - the question of a believer in naive mimetic art , in art as illustration . It is the question Keats himself had asked in Psyche when he saw the ...
... question it , to ask of it , " Who are these people , and what are they doing ? " - the question of a believer in naive mimetic art , in art as illustration . It is the question Keats himself had asked in Psyche when he saw the ...
Page 144
... question of the poem , though it follows the direct question to the priest , returns to the third - person formulation of the opening questions ( " What men or gods ? " ) - " What little town . . . is emptied " today ? The town's three ...
... question of the poem , though it follows the direct question to the priest , returns to the third - person formulation of the opening questions ( " What men or gods ? " ) - " What little town . . . is emptied " today ? The town's three ...
Page 225
... question of the relation be- tween the art of nature's creation and his own art , the question of the pathetic fallacy , and the question of art's ultimate indifference to man . He will also seek a language proper not only to the ...
... question of the relation be- tween the art of nature's creation and his own art , the question of the pathetic fallacy , and the question of art's ultimate indifference to man . He will also seek a language proper not only to the ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing