The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 151
... poetry of Thought , and Otho the Great as his attempt to write the poetry of Action . In neither did he succeed as he had hoped . The poetry of Action and the poetry of Thought were both , as we now see , better realized in the ode To ...
... poetry of Thought , and Otho the Great as his attempt to write the poetry of Action . In neither did he succeed as he had hoped . The poetry of Action and the poetry of Thought were both , as we now see , better realized in the ode To ...
Page 266
... poetic art . Two others are implicitly substituted : the first , Keats suggests , is that poetry should derive from life ( as juice and grain derive from apples and corn ) ; the second is a criterion of appropriateness ( the songs of ...
... poetic art . Two others are implicitly substituted : the first , Keats suggests , is that poetry should derive from life ( as juice and grain derive from apples and corn ) ; the second is a criterion of appropriateness ( the songs of ...
Page 299
... Poetry and Abstract Thought , " The Art of Poetry , p . 81 . 3. Paul Valéry , " In Praise of Virtuosity , " Aesthetics ( New York : Pantheon , 1965 ) , p . 195 . 4. I have suggested some relations between Stevens and Keats in " Stevens ...
... Poetry and Abstract Thought , " The Art of Poetry , p . 81 . 3. Paul Valéry , " In Praise of Virtuosity , " Aesthetics ( New York : Pantheon , 1965 ) , p . 195 . 4. I have suggested some relations between Stevens and Keats in " Stevens ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing