The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 4
... poem invites comment ; and sets of mutual relations between poems do the same . For the poet , the completion of one poem is the stimulus for the next ; this is particularly true for poems in the same genre . But this stimulus is ...
... poem invites comment ; and sets of mutual relations between poems do the same . For the poet , the completion of one poem is the stimulus for the next ; this is particularly true for poems in the same genre . But this stimulus is ...
Page 262
... poem is not a conjuration ; it cannot reincarnate an unravished bride , a neglected heathen goddess , a dead mother , or a Ceres hypostasized from the life of the fertile earth . A completed poem - so Keats seems to be insisting in ...
... poem is not a conjuration ; it cannot reincarnate an unravished bride , a neglected heathen goddess , a dead mother , or a Ceres hypostasized from the life of the fertile earth . A completed poem - so Keats seems to be insisting in ...
Page 319
... poem in the Keats Museum . When Keats has also underlined a phrase or a line , I reproduce his italics . To read Paradise Lost through Keats's eyes is to see it in part as a poem of Shakespearean characterization , but chiefly as a poem ...
... poem in the Keats Museum . When Keats has also underlined a phrase or a line , I reproduce his italics . To read Paradise Lost through Keats's eyes is to see it in part as a poem of Shakespearean characterization , but chiefly as a poem ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing