The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 68
... pleasure and pain have some intimate connection ; the answerable style for painful pleasure and pleasant pain is yet to be found . The diction of the fane is , as I have said , allegorical , as the original diction of Psyche's bower is ...
... pleasure and pain have some intimate connection ; the answerable style for painful pleasure and pleasant pain is yet to be found . The diction of the fane is , as I have said , allegorical , as the original diction of Psyche's bower is ...
Page 175
... Pleasure . They are the company the hero will find , and they live in the shrine of Melan- choly , found within the temple of Delight . These two additional figures are invoked in the round , as sculpture , while the others are seen in ...
... Pleasure . They are the company the hero will find , and they live in the shrine of Melan- choly , found within the temple of Delight . These two additional figures are invoked in the round , as sculpture , while the others are seen in ...
Page 204
... pleasure . " ( Hyperion , III , 61-66 ) This unhappy melodist , the not - yet - deified Apollo , plays music of pain and pleasure to the vast , unwearied ear of the whole universe ; it is easy to see that he is transmuted , on the urn ...
... pleasure . " ( Hyperion , III , 61-66 ) This unhappy melodist , the not - yet - deified Apollo , plays music of pain and pleasure to the vast , unwearied ear of the whole universe ; it is easy to see that he is transmuted , on the urn ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing