The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 122
... origins and ends . Who are we ; whither are we led by that mysterious priest ; whence have we come to this place ... origin — its religious whither and whence . While this third hypothesis - in which the audience , prompted by the ...
... origins and ends . Who are we ; whither are we led by that mysterious priest ; whence have we come to this place ... origin — its religious whither and whence . While this third hypothesis - in which the audience , prompted by the ...
Page 125
... origins ; the green altar remains unseen , and undescribed ( unlike Psyche's fane ) , a figure for a veiled end ... origins behind ; all travel is sacrificial of its origins . There is no agent for this destruction : the townsfolk are ...
... origins ; the green altar remains unseen , and undescribed ( unlike Psyche's fane ) , a figure for a veiled end ... origins behind ; all travel is sacrificial of its origins . There is no agent for this destruction : the townsfolk are ...
Page 126
... origins , processions , and ends , in the fact of process . These precocious insights left Keats with a poem four - fifths com- plete , with its great fourth stanza - expressing his furthest reach- already written . The poem had begun ...
... origins , processions , and ends , in the fact of process . These precocious insights left Keats with a poem four - fifths com- plete , with its great fourth stanza - expressing his furthest reach- already written . The poem had begun ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing