The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 24
... later envisaged incarnation in accomplished form . Keats will never again incarnate form , or figures to be venerated , as an allegorical trinity . Ambition occurs , but incorporated into the speaker's own natural self , in The Fall of ...
... later envisaged incarnation in accomplished form . Keats will never again incarnate form , or figures to be venerated , as an allegorical trinity . Ambition occurs , but incorporated into the speaker's own natural self , in The Fall of ...
Page 35
... later ode sung by the Indian Maid to Sorrow , in Book IV , mixes narration and invocation , and includes , in its incorporated vision of a Bacchic procession , interrogations of attendant damsels and satyrs prefiguring the interrogation ...
... later ode sung by the Indian Maid to Sorrow , in Book IV , mixes narration and invocation , and includes , in its incorporated vision of a Bacchic procession , interrogations of attendant damsels and satyrs prefiguring the interrogation ...
Page 308
... later odes either by theme ( it is about nature , not poetry , on the whole ) or by speaker ( the speaker of the later odes is a poet ) or by form ( it tends to Huntesque couplets , and does not derive from the sonnet forms inspiring the ...
... later odes either by theme ( it is about nature , not poetry , on the whole ) or by speaker ( the speaker of the later odes is a poet ) or by form ( it tends to Huntesque couplets , and does not derive from the sonnet forms inspiring the ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing