The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 145
... language suitable for " philosophizing " in . If , at this point , Keats decided that the language for thinking , even in poetry , must be the abstract and propositional language of philosophy ( as he knew it ) , that was a mistake he ...
... language suitable for " philosophizing " in . If , at this point , Keats decided that the language for thinking , even in poetry , must be the abstract and propositional language of philosophy ( as he knew it ) , that was a mistake he ...
Page 150
... language ( however imperfect ) for . Sensation , this mind declares , must coexist with Thought , Beauty with Truth ; and the language of Beauty must find a coexistence with the language of Truth . For the rest of his life Keats was ...
... language ( however imperfect ) for . Sensation , this mind declares , must coexist with Thought , Beauty with Truth ; and the language of Beauty must find a coexistence with the language of Truth . For the rest of his life Keats was ...
Page 152
... languages " at once- the language of Greek mythology , the language of allegorical frieze , the language of descriptive sensa- tion , the language of heroic quest , the language of gothic medieval- izing , the language of the courtly ...
... languages " at once- the language of Greek mythology , the language of allegorical frieze , the language of descriptive sensa- tion , the language of heroic quest , the language of gothic medieval- izing , the language of the courtly ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing