The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 46
... follow Indolence investigate creativity by taking up various attitudes toward the senses , almost as though the odes were invented as a series of controlled experiments in the suppression or permission of sense - experience . Keats's ...
... follow Indolence investigate creativity by taking up various attitudes toward the senses , almost as though the odes were invented as a series of controlled experiments in the suppression or permission of sense - experience . Keats's ...
Page 81
... follows Coleridge's in- junction to the poet that he should refuse to be coerced away from natural perception by the ... follow Coleridge ( who had talked of nightingales during their one meeting ) . Coleridge's nightingale ( ODE TO A ...
... follows Coleridge's in- junction to the poet that he should refuse to be coerced away from natural perception by the ... follow Coleridge ( who had talked of nightingales during their one meeting ) . Coleridge's nightingale ( ODE TO A ...
Page 98
... follow the fading voice . ( Had he followed the Presences in Indolence on those wings he ached for , he would have found himself with them in spirit on their dreamy urn - as , later , he did . ) He chooses to follow the voice , to ...
... follow the fading voice . ( Had he followed the Presences in Indolence on those wings he ached for , he would have found himself with them in spirit on their dreamy urn - as , later , he did . ) He chooses to follow the voice , to ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing