The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 28
... feeling from which the whole ode originates , representing the pain of the accusatory encounter which is the sub- ject of the ode , and the pain that the poet feels at his own ignorance in the encounter . He did not know his own soul ...
... feeling from which the whole ode originates , representing the pain of the accusatory encounter which is the sub- ject of the ode , and the pain that the poet feels at his own ignorance in the encounter . He did not know his own soul ...
Page 97
... feelings were not of importance , his ritual func- tion took precedence . In Indolence the speaker had allowed himself ... feeling in Nightingale is the stronger for the reticences of the previous odes ; every reader feels in the abrupt ...
... feelings were not of importance , his ritual func- tion took precedence . In Indolence the speaker had allowed himself ... feeling in Nightingale is the stronger for the reticences of the previous odes ; every reader feels in the abrupt ...
Page 139
... feeling in the apostrophes " fair youth ” and “ bold lover " as well as in his pained " do not grieve " and his sympathetic " though thou hast not thy bliss . " He is even false to the strictly propositional form ( itself expressively ...
... feeling in the apostrophes " fair youth ” and “ bold lover " as well as in his pained " do not grieve " and his sympathetic " though thou hast not thy bliss . " He is even false to the strictly propositional form ( itself expressively ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing