The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 48
... divinity ; each , like Psyche , is female ; after Psyche , all are unpartnered . In the view of the Ode to Psyche , a pursuit of the most minute verisimilitude becomes the task of art , since divinity will not grace art with her ...
... divinity ; each , like Psyche , is female ; after Psyche , all are unpartnered . In the view of the Ode to Psyche , a pursuit of the most minute verisimilitude becomes the task of art , since divinity will not grace art with her ...
Page 56
... divinity changes in the two restorations : in the first , divinity is conceived of as an idealized presence revealed in a past vision ; in the second , divinity is conceived of as a presence which the poet must actively invoke , and ...
... divinity changes in the two restorations : in the first , divinity is conceived of as an idealized presence revealed in a past vision ; in the second , divinity is conceived of as a presence which the poet must actively invoke , and ...
Page 283
... divinity- the season - is the first of Keats's allegorical figures to incorporate effortlessly into itself , in its ... divinity . Keats's search for a divinity fully ade- quate to what he knew to be true of life had taken him from Poesy ...
... divinity- the season - is the first of Keats's allegorical figures to incorporate effortlessly into itself , in its ... divinity . Keats's search for a divinity fully ade- quate to what he knew to be true of life had taken him from Poesy ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing