The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 13
... course , in treating the odes as a sequence ( inter- polating a brief chapter on Moneta's face as the transition without which the passage from the goddess Melancholy to the goddess Autumn cannot be seen clearly ) , I wish to reflect on ...
... course , in treating the odes as a sequence ( inter- polating a brief chapter on Moneta's face as the transition without which the passage from the goddess Melancholy to the goddess Autumn cannot be seen clearly ) , I wish to reflect on ...
Page 308
... course ages ; allegorical Youth cannot . However , the allegorical youth is also subject to time here , and is to that extent nonemblematic . 12. The Hymn to Pan reads , in several stanzas , like a model for these " comple- tions " and ...
... course ages ; allegorical Youth cannot . However , the allegorical youth is also subject to time here , and is to that extent nonemblematic . 12. The Hymn to Pan reads , in several stanzas , like a model for these " comple- tions " and ...
Page 324
... course Keats distances and frames his pining knight both by placing him . in the company of the other sufferers in his vision and by introducing a sym- pathetic questioner . But no one doubts that the poem is about powerlessness and ...
... course Keats distances and frames his pining knight both by placing him . in the company of the other sufferers in his vision and by introducing a sym- pathetic questioner . But no one doubts that the poem is about powerlessness and ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing