The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 106
... allowed the victory . Rather , the trope of inter- rogation - neither sensuous descriptive reiteration nor intellectual asserted proposition - is invoked for closure ; and the vocabulary of physical state and music ( " a vision . . . a ...
... allowed the victory . Rather , the trope of inter- rogation - neither sensuous descriptive reiteration nor intellectual asserted proposition - is invoked for closure ; and the vocabulary of physical state and music ( " a vision . . . a ...
Page 128
... allowed the two responses , to matter and to medium , free play . He permits there a rapidly alternating perception first of one and then of the other , and he uses identical language for the two experiences in order to show that they ...
... allowed the two responses , to matter and to medium , free play . He permits there a rapidly alternating perception first of one and then of the other , and he uses identical language for the two experiences in order to show that they ...
Page 261
... allowed , in sound , their independent possession of the air . Had the memorial gleam been allowed to remain fixed on the fields for the entire dura- tion of the last stanza - had the syntactic frame , that is , been simply " While this ...
... allowed , in sound , their independent possession of the air . Had the memorial gleam been allowed to remain fixed on the fields for the entire dura- tion of the last stanza - had the syntactic frame , that is , been simply " While this ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing