The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 47
... Psyche , is in this respect the most " puritanical " of the group in its intent ( if not in its effect ) . It aims , whatever its sensual metaphors ( and these will demand their own recognition later ) , at a complete , exclusive , and ...
... Psyche , is in this respect the most " puritanical " of the group in its intent ( if not in its effect ) . It aims , whatever its sensual metaphors ( and these will demand their own recognition later ) , at a complete , exclusive , and ...
Page 48
... Psyche , is female ; after Psyche , all are unpartnered . In the view of the Ode to Psyche , a pursuit of the most minute verisimilitude becomes the task of art , since divinity will not grace art with her presence if she lacks an exact ...
... Psyche , is female ; after Psyche , all are unpartnered . In the view of the Ode to Psyche , a pursuit of the most minute verisimilitude becomes the task of art , since divinity will not grace art with her presence if she lacks an exact ...
Page 61
... Psyche's cult with a twin stanza written in Milton's religious vocabulary ; Keats must reinvent Psyche's cult in his own language , the vocabulary of the luxuriant eroticism of his initial vision.12 Milton's pagan deities , as they are ...
... Psyche's cult with a twin stanza written in Milton's religious vocabulary ; Keats must reinvent Psyche's cult in his own language , the vocabulary of the luxuriant eroticism of his initial vision.12 Milton's pagan deities , as they are ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing