The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 77
... Nightingale and the Ode on a Grecian Urn were first published in Annals of the Fine Arts , a journal whose readers would have taken Nightingale to be a poem on the art of music , and Urn to be a poem on bas - relief sculpture.3 It has ...
... Nightingale and the Ode on a Grecian Urn were first published in Annals of the Fine Arts , a journal whose readers would have taken Nightingale to be a poem on the art of music , and Urn to be a poem on bas - relief sculpture.3 It has ...
Page 81
... Nightingale takes art to be the projection of beauty and sensation into an external medium - here , that of heard melody , numbers not tuneless ... nightingales during their one meeting ) . Coleridge's nightingale ( ODE TO A NIGHTINGALE 81.
... Nightingale takes art to be the projection of beauty and sensation into an external medium - here , that of heard melody , numbers not tuneless ... nightingales during their one meeting ) . Coleridge's nightingale ( ODE TO A NIGHTINGALE 81.
Page 116
... Nightingale , but in the Urn the sense is sight , not hearing . The Urn suppresses hearing , as the Ode to a Nightingale had suppressed sight ( and as both sup- press the " lower senses " of touch and taste ) . If Nightingale is an ex ...
... Nightingale , but in the Urn the sense is sight , not hearing . The Urn suppresses hearing , as the Ode to a Nightingale had suppressed sight ( and as both sup- press the " lower senses " of touch and taste ) . If Nightingale is an ex ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing