The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 51
... Milton's banishing of the gentler and more civilized pagan divinities ; none is drawn from Milton's subsequent stanzas on the defeat of the more " brutish " gods . " It is not to Keats's purpose here to suggest the darker side of the ...
... Milton's banishing of the gentler and more civilized pagan divinities ; none is drawn from Milton's subsequent stanzas on the defeat of the more " brutish " gods . " It is not to Keats's purpose here to suggest the darker side of the ...
Page 61
... Milton's Nativity Ode had extirpated from English poetry , it would end with its restitutive fourth stanza of restored cultic practice . Milton's ode is far grander , in poetic success , than Keats's ; but even in this novice effort ...
... Milton's Nativity Ode had extirpated from English poetry , it would end with its restitutive fourth stanza of restored cultic practice . Milton's ode is far grander , in poetic success , than Keats's ; but even in this novice effort ...
Page 239
... Milton , agriculture stands for the natural work of man , as though to bend in rhythm with the seasons is part of man's essence . According to Milton , there are changes of ambience in Eden " for change delectable , not need , " and to ...
... Milton , agriculture stands for the natural work of man , as though to bend in rhythm with the seasons is part of man's essence . According to Milton , there are changes of ambience in Eden " for change delectable , not need , " and to ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing