The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 157
... Melancholy ; and the sections on Love- Melancholy in the second volume still remaining of the Anatomy that Keats possessed2 are more heavily underlined and marked than are any other portions . In the ode , the hero's ghastly bark is ...
... Melancholy ; and the sections on Love- Melancholy in the second volume still remaining of the Anatomy that Keats possessed2 are more heavily underlined and marked than are any other portions . In the ode , the hero's ghastly bark is ...
Page 183
... Melancholy is silent . It has not found any place for music ; its speaker and hero are not poets , they exist ... Melancholy ) is a measure of the intellectual and spiritual work that preceded its composition . If Nightingale presses ...
... Melancholy is silent . It has not found any place for music ; its speaker and hero are not poets , they exist ... Melancholy ) is a measure of the intellectual and spiritual work that preceded its composition . If Nightingale presses ...
Page 211
... Melancholy ; and the winged upstarting re- calls the aching for wings in Indolence and Nightingale . The old sanc- tuary spacious enough to include clouds under its roof resembles the shrine of Melancholy , and the liturgical ...
... Melancholy ; and the winged upstarting re- calls the aching for wings in Indolence and Nightingale . The old sanc- tuary spacious enough to include clouds under its roof resembles the shrine of Melancholy , and the liturgical ...
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active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing