The Odes of John KeatsBelknap Press of Harvard University Press, 1983 - 330 pages Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures. |
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Page 46
... Fancy , con- trasting it there with the associative powers of mental Fancy , which is able to assemble hybrid seasons and hybrid mistresses that com- bine all beauties and can never fade . Imaginative intellectual ecstasy seemed to ...
... Fancy , con- trasting it there with the associative powers of mental Fancy , which is able to assemble hybrid seasons and hybrid mistresses that com- bine all beauties and can never fade . Imaginative intellectual ecstasy seemed to ...
Page 64
... Fancy ) enacts the erotic pairing of the sensual Cupid with the spiritual Psyche celebrated in the matter of the ode . This is Keats's most hopeful ode , and yet his narrowest one . The willed pairing of flesh and soul in a perpetual ...
... Fancy ) enacts the erotic pairing of the sensual Cupid with the spiritual Psyche celebrated in the matter of the ode . This is Keats's most hopeful ode , and yet his narrowest one . The willed pairing of flesh and soul in a perpetual ...
Page 272
... Fancy of Psyche , but in Psyche nature is poor by comparison to the unbounded inventions of Fancy , while in Autumn no plenitude can be imagined that would outdo nature's own . And yet , Keats wrote to his brother just after composing ...
... Fancy of Psyche , but in Psyche nature is poor by comparison to the unbounded inventions of Fancy , while in Autumn no plenitude can be imagined that would outdo nature's own . And yet , Keats wrote to his brother just after composing ...
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Common terms and phrases
active aesthetic allegorical allowed Apollo appear attempt Autumn Beauty becomes beginning bird bower brain called close cloud comes course death divinity dream earlier earth Endymion existence experience eyes face fact fade Fall Fancy feeling figures final flowers follow fruit give gnats goddess grape hand happy harvest hope human Hyperion imagination Indolence intensity Keats Keats's language later leaves Letters light listening means Melancholy Milton mind Moneta's mythological natural never Nightingale object offered once opening origins pain passage philosophical pleasure poem Poesy poet poetry present propositional Psyche question realm relation remains represented scene season seems seen sensation sense sensual shape song sorrow soul speak spirit stanza symbol things thou thought tion true truth turn vision visual voice wings wish writing