The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearThe King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Page 100
A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King
Lear Roberto Speziale-Bagliacca Colin Rice. Thou wast a pretty fellow when
thou hadst no need to care for her frowning ; now thou art an O without a figure .
A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King
Lear Roberto Speziale-Bagliacca Colin Rice. Thou wast a pretty fellow when
thou hadst no need to care for her frowning ; now thou art an O without a figure .
Page 103
Tremble , thou wretch , That hast within thee undivulgèd crimes , Unwhipped of
justice ; hide thee , thou bloody hand , Thou perjured , and thou simular of virtue
That art incestuous ; caitiff , to pieces shake , That under covert and convenient ...
Tremble , thou wretch , That hast within thee undivulgèd crimes , Unwhipped of
justice ; hide thee , thou bloody hand , Thou perjured , and thou simular of virtue
That art incestuous ; caitiff , to pieces shake , That under covert and convenient ...
Page 113
164 - 65 ) , and having more or less accused him of being a tyrant , Fare thee well
, King ; sith thus thou wilt appear , Freedom lives hence , and banishment is here
( 1 . 1 . 179 – 80 ) , 65 what does Kent then do ? He leaves the court and ...
164 - 65 ) , and having more or less accused him of being a tyrant , Fare thee well
, King ; sith thus thou wilt appear , Freedom lives hence , and banishment is here
( 1 . 1 . 179 – 80 ) , 65 what does Kent then do ? He leaves the court and ...
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Contents
An Essay on Madame Bovary | 1 |
An Essay on King Lear | 81 |
Notes | 137 |
Copyright | |
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