The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearThe King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Page 3
He writes : “ A weakness in their personality : this is what initially compels all of
Flaubert ' s characters to believe that they are other than they really are . . . . But
this weakness in their personality is always linked with some feeling of impotence
.
He writes : “ A weakness in their personality : this is what initially compels all of
Flaubert ' s characters to believe that they are other than they really are . . . . But
this weakness in their personality is always linked with some feeling of impotence
.
Page 117
66 Clinically speaking , however , he probably belongs to the category of
perverse individuals with a dual personality , a complex personality that is by no
means exhaustively defined ( in Kent ' s own words ) as “ having more man than
wit ” ( 2 ...
66 Clinically speaking , however , he probably belongs to the category of
perverse individuals with a dual personality , a complex personality that is by no
means exhaustively defined ( in Kent ' s own words ) as “ having more man than
wit ” ( 2 ...
Page 148
These personality types are able to accept depression and face the dragon
because they feel compelled to save what ... In other words , the authentic
antiauthoritarian personality manages to oppose authority without turning it into a
dragon ...
These personality types are able to accept depression and face the dragon
because they feel compelled to save what ... In other words , the authentic
antiauthoritarian personality manages to oppose authority without turning it into a
dragon ...
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Contents
An Essay on Madame Bovary | 1 |
An Essay on King Lear | 81 |
Notes | 137 |
Copyright | |
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