The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearThe King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Page 2
Given that Flaubert himself has directed our attention toward Charles , I would
suggest following his lead , at least this once , and leaving aside Emma , who has
always been the ( perhaps exaggerated ) center of attention for both readers and
...
Given that Flaubert himself has directed our attention toward Charles , I would
suggest following his lead , at least this once , and leaving aside Emma , who has
always been the ( perhaps exaggerated ) center of attention for both readers and
...
Page 58
Having shown very little interest during the whole novel in Berthe - the daughter
of Emma and Charles - Flaubert makes a brief reference to her future once her
parents are dead and the novel is nearing its end : Once everything had been
sold ...
Having shown very little interest during the whole novel in Berthe - the daughter
of Emma and Charles - Flaubert makes a brief reference to her future once her
parents are dead and the novel is nearing its end : Once everything had been
sold ...
Page 152
Such deities are both life - giving and life - destroying , goddesses at once of life
and fertility and of death . 59 . Deprivation and hunger are very closely connected
in both myths and fairy tales : Hansel and Gretel , Little Red Riding Hood , and ...
Such deities are both life - giving and life - destroying , goddesses at once of life
and fertility and of death . 59 . Deprivation and hunger are very closely connected
in both myths and fairy tales : Hansel and Gretel , Little Red Riding Hood , and ...
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Contents
An Essay on Madame Bovary | 1 |
An Essay on King Lear | 81 |
Notes | 137 |
Copyright | |
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Common terms and phrases
able accept According affection already appears attempt become beginning behavior believe blind caused characters Charles Charles's child comes consider continue Cordelia Correspondance critics dans daughters deny describes desire edition elle Emma Emma's essay everything example expression eyes face fact father feel figure Flaubert Fool give Goneril guilt Gustave husband idea imagination interest interpretation keep Kent King Lear Lear's least leaves Léon letter look Madame Bovary means mind mother nature never novel offer once Paris perhaps personality play poor possible Press probably quoted reason reference Regan relationship Rodolphe scene seems seen sense Shakespeare shows sisters sort speak suffer suggested taken tells term Theodor Reik things thou thought tion tragedy true turns unconscious understand wants wife wish woman writes