The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearThe King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
From inside the book
Results 1-3 of 31
Page 2
This is one of Flaubert ' s fascinating traits , like his love for Rabelais and Byron
because they wrote “ with the intention of harming mankind and laughing in his
face ( dans l ' intention de nuire au genre humain et de lui rire à la face ] . ” A
rather ...
This is one of Flaubert ' s fascinating traits , like his love for Rabelais and Byron
because they wrote “ with the intention of harming mankind and laughing in his
face ( dans l ' intention de nuire au genre humain et de lui rire à la face ] . ” A
rather ...
Page 53
Rodolphe talks and chews on his cigar but Charles isn ' t listening , for he is lost
in reverie as he looks at the face that Emma had loved : " he so wanted to have
been this other man [ il aurait voulu être cet homme ] ” ( 285 / 381 ) . The
encounter ...
Rodolphe talks and chews on his cigar but Charles isn ' t listening , for he is lost
in reverie as he looks at the face that Emma had loved : " he so wanted to have
been this other man [ il aurait voulu être cet homme ] ” ( 285 / 381 ) . The
encounter ...
Page 54
Charles seems to be sensually attracted by the face across the table from him , a
face that gradually grows redder while the nostrils flare and the lips tremble . . .
And at last a flash of hatred glimmers in his eyes . Hatred , because those desires
...
Charles seems to be sensually attracted by the face across the table from him , a
face that gradually grows redder while the nostrils flare and the lips tremble . . .
And at last a flash of hatred glimmers in his eyes . Hatred , because those desires
...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
An Essay on Madame Bovary | 1 |
An Essay on King Lear | 81 |
Notes | 137 |
Copyright | |
1 other sections not shown
Other editions - View all
Common terms and phrases
able accept According affection already appears attempt become beginning behavior believe blind caused characters Charles Charles's child comes consider continue Cordelia Correspondance critics dans daughters deny describes desire edition elle Emma Emma's essay everything example expression eyes face fact father feel figure Flaubert Fool give Goneril guilt Gustave husband idea imagination interest interpretation keep Kent King Lear Lear's least leaves Léon letter look Madame Bovary means mind mother nature never novel offer once Paris perhaps personality play poor possible Press probably quoted reason reference Regan relationship Rodolphe scene seems seen sense Shakespeare shows sisters sort speak suffer suggested taken tells term Theodor Reik things thou thought tion tragedy true turns unconscious understand wants wife wish woman writes