The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 pages |
From inside the book
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... Drama 19 The City Dionysia 19 Thespis and the Drama 20 Festival Organization Dramatic Competition 20 21 The Theatre of Dionysus 21 Performance Development The Solo Performer 24 Music and Dance 25 Mask and Costume Dramatic Texts ...
... Drama 19 The City Dionysia 19 Thespis and the Drama 20 Festival Organization Dramatic Competition 20 21 The Theatre of Dionysus 21 Performance Development The Solo Performer 24 Music and Dance 25 Mask and Costume Dramatic Texts ...
Page
... Drama 96 Religious Ritual and the Drama 97 Zen Buddhism and the Noh Theatre Political Patronage of the Drama 97 99 The Golden Age and a New Drama 99 Kabuki Audience 114 115 117 Kabuki Dramaturgy 116 Conclusion Notes 117 OVERVIEW 119 The ...
... Drama 96 Religious Ritual and the Drama 97 Zen Buddhism and the Noh Theatre Political Patronage of the Drama 97 99 The Golden Age and a New Drama 99 Kabuki Audience 114 115 117 Kabuki Dramaturgy 116 Conclusion Notes 117 OVERVIEW 119 The ...
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... Dramatic Technique 184 ITALY 162 163 New Literature 163 New Music 163 New Dramatic Texts 164 Tragic Writing 164 Comic Writing 164 165 Mannerism and Jacobean Drama 184 The Pastoral Intermezzi and Opera 165 Experiments with Stage Space ...
... Dramatic Technique 184 ITALY 162 163 New Literature 163 New Music 163 New Dramatic Texts 164 Tragic Writing 164 Comic Writing 164 165 Mannerism and Jacobean Drama 184 The Pastoral Intermezzi and Opera 165 Experiments with Stage Space ...
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... Dramatic Texts 225 Shakespeare Improved 226 Restoration Comedy of Manners Sentimental Drama 228 226 The Licensing Act of 1737 228 Company Rivalry 229 Domestic Drama 206 New Acting Styles 206 Passion over Plot 206 The Paradox of the ...
... Dramatic Texts 225 Shakespeare Improved 226 Restoration Comedy of Manners Sentimental Drama 228 226 The Licensing Act of 1737 228 Company Rivalry 229 Domestic Drama 206 New Acting Styles 206 Passion over Plot 206 The Paradox of the ...
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... Dramas 318 The Triumph of Dramatic Structure 318 Emile Zola 320 The Freie Bühne 326 ENGLAND 326 Victoria and After 326 Problem Plays 327 George Bernard Shaw 327 The Irish Renaissance 329 The Legacy of Realistic Drama Actors and Managers ...
... Dramas 318 The Triumph of Dramatic Structure 318 Emile Zola 320 The Freie Bühne 326 ENGLAND 326 Victoria and After 326 Problem Plays 327 George Bernard Shaw 327 The Irish Renaissance 329 The Legacy of Realistic Drama Actors and Managers ...
Contents
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Common terms and phrases
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami