The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 pages |
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... and Theatre 8 2 THE CLASSICAL THEATRE 15 GREECE 15 Cultural Context Mathematics and the Arts 16 16 Politics and the Arts 16 Gender , Sexuality , and the Arts Dionysiac Festivals 18 17 44 3 THE CLASSICAL ASIAN THEATRE 64 103 4 THE iv.
... and Theatre 8 2 THE CLASSICAL THEATRE 15 GREECE 15 Cultural Context Mathematics and the Arts 16 16 Politics and the Arts 16 Gender , Sexuality , and the Arts Dionysiac Festivals 18 17 44 3 THE CLASSICAL ASIAN THEATRE 64 103 4 THE iv.
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... Cultural Context The Republic 36 36 53 34 Seneca 53 The Audience 54 Christian Critics 55 Mime 55 Pantomime 54 57 New Religions Rival the Old Theatre A New Myth for a New Drama 60 The Spread of the New Mythology The Triumph of ...
... Cultural Context The Republic 36 36 53 34 Seneca 53 The Audience 54 Christian Critics 55 Mime 55 Pantomime 54 57 New Religions Rival the Old Theatre A New Myth for a New Drama 60 The Spread of the New Mythology The Triumph of ...
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... Classical Models 199 Theatre Architecture 200 SPAIN 175 Audience 200 Cultural Context 175 Political Stability 175 The Hotel de Bourgogne Notes 201 200 OVERVIEW 202 Reason and Industry 203 Slavery and Feminism 203 CONTENTS vii.
... Classical Models 199 Theatre Architecture 200 SPAIN 175 Audience 200 Cultural Context 175 Political Stability 175 The Hotel de Bourgogne Notes 201 200 OVERVIEW 202 Reason and Industry 203 Slavery and Feminism 203 CONTENTS vii.
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... Culture 223 Bourgeois Aesthetics 224 Dramatic Texts 225 Shakespeare Improved 226 Restoration Comedy of Manners Sentimental Drama 228 226 The Licensing Act of 1737 228 Company Rivalry 229 Domestic Drama 206 New Acting Styles 206 Passion ...
... Culture 223 Bourgeois Aesthetics 224 Dramatic Texts 225 Shakespeare Improved 226 Restoration Comedy of Manners Sentimental Drama 228 226 The Licensing Act of 1737 228 Company Rivalry 229 Domestic Drama 206 New Acting Styles 206 Passion ...
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Contents
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Common terms and phrases
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami