The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 pages |
From inside the book
Results 1-5 of 84
Page
... Audience 34 Plato and Dramatic Censorship 35 Decline 36 ROME 36 Cultural Context The Republic 36 36 53 34 Seneca 53 The Audience 54 Christian Critics 55 Mime 55 Pantomime 54 57 New Religions Rival the Old Theatre A New Myth for a New ...
... Audience 34 Plato and Dramatic Censorship 35 Decline 36 ROME 36 Cultural Context The Republic 36 36 53 34 Seneca 53 The Audience 54 Christian Critics 55 Mime 55 Pantomime 54 57 New Religions Rival the Old Theatre A New Myth for a New ...
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... Audience 108 Costume 92 Make - Up 93 Performance Space 93 Convention in Staging 94 Dramatic Texts 95 Audience 96 JAPAN 96 Noh Conventions Noh Dramaturgy 108 Noh Structure 109 Kyogen 110 Kabuki Players 110 Kabuki Music and Dance 112 ...
... Audience 108 Costume 92 Make - Up 93 Performance Space 93 Convention in Staging 94 Dramatic Texts 95 Audience 96 JAPAN 96 Noh Conventions Noh Dramaturgy 108 Noh Structure 109 Kyogen 110 Kabuki Players 110 Kabuki Music and Dance 112 ...
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... Audience 195 Attacks on the Theatre Closing the Theatres FRANCE 197 195 197 Arrival of the Renaissance Political Stability 198 197 The Church Brings Humanism 198 Professional Players 199 The Neo - Classical Ideal 174 The Ballet de Cour ...
... Audience 195 Attacks on the Theatre Closing the Theatres FRANCE 197 195 197 Arrival of the Renaissance Political Stability 198 197 The Church Brings Humanism 198 Professional Players 199 The Neo - Classical Ideal 174 The Ballet de Cour ...
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... Audience 244 GERMANY 244 Le Drame 215 Diderot 215 Beaumarchais 216 Theatrical Troupes 216 Great Actors 217 Theatre Architecture and Design 219 Costume 221 Audience 221 Dramatic Criticism 222 Political Disunity 244 From Neo - Classicism ...
... Audience 244 GERMANY 244 Le Drame 215 Diderot 215 Beaumarchais 216 Theatrical Troupes 216 Great Actors 217 Theatre Architecture and Design 219 Costume 221 Audience 221 Dramatic Criticism 222 Political Disunity 244 From Neo - Classicism ...
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... Audiences 289 Theatre Missionaries 290 Home - Grown Stars 291 Places for Spectacle 295 Sentiment and Melodrama 296 The ... Audience 270 271 Local Color 299 273 RUSSIA 299 The End of Isolation 299 " Frenchification " 300 Enter Romanticism ...
... Audiences 289 Theatre Missionaries 290 Home - Grown Stars 291 Places for Spectacle 295 Sentiment and Melodrama 296 The ... Audience 270 271 Local Color 299 273 RUSSIA 299 The End of Isolation 299 " Frenchification " 300 Enter Romanticism ...
Contents
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Common terms and phrases
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami