The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 pages |
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... Roman Dramatists Euripides 31 Aristophanes 32 Characteristics of Greek Drama 33 Aristotle and Dramatic Criticism The Audience 34 Plato and Dramatic Censorship 35 Decline 36 ROME 36 Cultural Context The Republic 36 36 53 34 Seneca 53 The ...
... Roman Dramatists Euripides 31 Aristophanes 32 Characteristics of Greek Drama 33 Aristotle and Dramatic Criticism The Audience 34 Plato and Dramatic Censorship 35 Decline 36 ROME 36 Cultural Context The Republic 36 36 53 34 Seneca 53 The ...
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... Roman Empire 119 Creed as Scenario 119 An Educational Theatre 120 A New Merchant Class 130 Secular Mythology and Chivalry 131 The New Woman 131 Return of the Rhapsodes 132 EARLY PERIOD : c . 700 - c . 1050 Enduring Non - Christian ...
... Roman Empire 119 Creed as Scenario 119 An Educational Theatre 120 A New Merchant Class 130 Secular Mythology and Chivalry 131 The New Woman 131 Return of the Rhapsodes 132 EARLY PERIOD : c . 700 - c . 1050 Enduring Non - Christian ...
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Contents
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Common terms and phrases
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami