The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 pages |
From inside the book
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Paul Kuritz. 44 3 THE CLASSICAL ASIAN THEATRE 64 103 4 THE MEDIEVAL THEATRE 119 134 5 THE RENAISSANCE. The Cult of Dionysus and the Emergence of Drama 19 The City Dionysia 19 Thespis and the Drama 20 Festival Organization Dramatic ...
Paul Kuritz. 44 3 THE CLASSICAL ASIAN THEATRE 64 103 4 THE MEDIEVAL THEATRE 119 134 5 THE RENAISSANCE. The Cult of Dionysus and the Emergence of Drama 19 The City Dionysia 19 Thespis and the Drama 20 Festival Organization Dramatic ...
Page
Paul Kuritz. 103 4 THE MEDIEVAL THEATRE 119 134 5 THE RENAISSANCE THEATRE 153 Lope de Vega Tirso and. 102 Society on Stage 85 A Literary Theatre Early Performance 86 86 88 89 Yuan Drama Ming Theatre Revolution and the Drama Players 90 89 ...
Paul Kuritz. 103 4 THE MEDIEVAL THEATRE 119 134 5 THE RENAISSANCE THEATRE 153 Lope de Vega Tirso and. 102 Society on Stage 85 A Literary Theatre Early Performance 86 86 88 89 Yuan Drama Ming Theatre Revolution and the Drama Players 90 89 ...
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Page 60
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Contents
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Common terms and phrases
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami