Browning and WordsworthFairleigh Dickinson University Press, 2004 - 199 pages Wordsworth's poetry was far more influential upon that of Robert Browning than has hitherto been supposed. Browning read Wordsworth from an early age, and became an admirer of much of his work. In particular, Wordsworth's aesthetic beliefs about the poet's role in the world were as important to Browning's own conception of this role as those of Shelley, whose relationship with Browning has been far more extensively discussed. relationship, which can usefully be seen as a struggle on Browning's part to throw off the burden of influence imposed upon him by his Romantic predecessor. It also puts forward more historical and biographical explanations for some of the relationship's complexities, including Browning's awareness of Wordsworth's rising reputation in the late Victorian period and the responsibilities imposed upon him in his later career by his own position as a literary lion. John H. Baker teaches for the Open University and the University of Westminster in London. |
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Page 40
... tion , but he does experience a similar fall from grace . The Solitary becomes antihumanistic in his desire to escape from the company of other men . In this he resembles both the speaker in Pauline and Paracelsus at certain stages of ...
... tion , but he does experience a similar fall from grace . The Solitary becomes antihumanistic in his desire to escape from the company of other men . In this he resembles both the speaker in Pauline and Paracelsus at certain stages of ...
Page 51
... tion , and not the action and situation to the feeling . " 45 Similarly , in the preface to Paracelsus Browning states that " it is an attempt , probably more novel than happy , to reverse the method normally adopted by writers whose ...
... tion , and not the action and situation to the feeling . " 45 Similarly , in the preface to Paracelsus Browning states that " it is an attempt , probably more novel than happy , to reverse the method normally adopted by writers whose ...
Page 138
... tion . Arion's majesty is similarly self - created ; he is inspired by the gods , but it is emphasized that he is not merely a " great mouth " : So , standing on the bench o ' the ship , let voice expend Thy soul , sing , unalloyed by ...
... tion . Arion's majesty is similarly self - created ; he is inspired by the gods , but it is emphasized that he is not merely a " great mouth " : So , standing on the bench o ' the ship , let voice expend Thy soul , sing , unalloyed by ...
Contents
ACKNOWLEDGMENTS A NOTE ON Texts 79 | 9 |
WHY BROWNING AND WORDSWORTH? | 15 |
WORDSWORTH AND BROWNINGS REJECTION | 23 |
Copyright | |
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achievement admiration aesthetic allowed appeared argues attack attempt attitude beauty become Bloom Browning Browning's Byron career clear common concern conclusion condemned continued correspondence critics death democratic demonstrates describes desire Dion dismissal dream earlier early edition entirely evidence example expressed fact failed feel felt Fifine follow forced heart hope human humanistic Ibid idea idealism imagination indication influence interest Juan Knight later lead letter light lines live Lost mankind metaphysical mind misreading nature never Nevertheless Paracelsus particular passage path Pauline period poem poet poet's poetic poetry points possible practical predecessor preface Prelude present published radical reader realistic reference rejection relationship romantic romanticism says seems seen selection Shelley Sordello sort soul stage story struggle suffering suggests things tion turn vision visionary Woolford Wordsworth Wordsworthian worth writing wrote