Browning and WordsworthFairleigh Dickinson University Press, 2004 - 199 pages Wordsworth's poetry was far more influential upon that of Robert Browning than has hitherto been supposed. Browning read Wordsworth from an early age, and became an admirer of much of his work. In particular, Wordsworth's aesthetic beliefs about the poet's role in the world were as important to Browning's own conception of this role as those of Shelley, whose relationship with Browning has been far more extensively discussed. relationship, which can usefully be seen as a struggle on Browning's part to throw off the burden of influence imposed upon him by his Romantic predecessor. It also puts forward more historical and biographical explanations for some of the relationship's complexities, including Browning's awareness of Wordsworth's rising reputation in the late Victorian period and the responsibilities imposed upon him in his later career by his own position as a literary lion. John H. Baker teaches for the Open University and the University of Westminster in London. |
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Page 17
... light that never was , on sea or land , The consecration , and the Poet's dream . ( lines 14-16 ) Now , however , he has a new perception of the world's bleak reality , and Beaumont's painting of the castle in a storm seems to him a ...
... light that never was , on sea or land , The consecration , and the Poet's dream . ( lines 14-16 ) Now , however , he has a new perception of the world's bleak reality , and Beaumont's painting of the castle in a storm seems to him a ...
Page 95
... light , the image of Wordsworth on his knees in front of the queen was a positive boon . This combination of hatred and indignation emerged into the public domain in " The Lost Leader . " It would be published in November 1845 , in ...
... light , the image of Wordsworth on his knees in front of the queen was a positive boon . This combination of hatred and indignation emerged into the public domain in " The Lost Leader . " It would be published in November 1845 , in ...
Page 157
... light that never was , on sea or land , The consecration , and the Poet's dream . ( lines 13-16 ) These lines present the " Poet's dream " as delusory . What the poet would add to the picture is described as a " consecration , " true ...
... light that never was , on sea or land , The consecration , and the Poet's dream . ( lines 13-16 ) These lines present the " Poet's dream " as delusory . What the poet would add to the picture is described as a " consecration , " true ...
Contents
ACKNOWLEDGMENTS A NOTE ON Texts 79 | 9 |
WHY BROWNING AND WORDSWORTH? | 15 |
WORDSWORTH AND BROWNINGS REJECTION | 23 |
Copyright | |
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achievement admiration aesthetic allowed appeared argues attack attempt attitude beauty become Bloom Browning Browning's Byron career clear common concern conclusion condemned continued correspondence critics death democratic demonstrates describes desire Dion dismissal dream earlier early edition entirely evidence example expressed fact failed feel felt Fifine follow forced heart hope human humanistic Ibid idea idealism imagination indication influence interest Juan Knight later lead letter light lines live Lost mankind metaphysical mind misreading nature never Nevertheless Paracelsus particular passage path Pauline period poem poet poet's poetic poetry points possible practical predecessor preface Prelude present published radical reader realistic reference rejection relationship romantic romanticism says seems seen selection Shelley Sordello sort soul stage story struggle suffering suggests things tion turn vision visionary Woolford Wordsworth Wordsworthian worth writing wrote