Browning and WordsworthFairleigh Dickinson University Press, 2004 - 199 pages Wordsworth's poetry was far more influential upon that of Robert Browning than has hitherto been supposed. Browning read Wordsworth from an early age, and became an admirer of much of his work. In particular, Wordsworth's aesthetic beliefs about the poet's role in the world were as important to Browning's own conception of this role as those of Shelley, whose relationship with Browning has been far more extensively discussed. relationship, which can usefully be seen as a struggle on Browning's part to throw off the burden of influence imposed upon him by his Romantic predecessor. It also puts forward more historical and biographical explanations for some of the relationship's complexities, including Browning's awareness of Wordsworth's rising reputation in the late Victorian period and the responsibilities imposed upon him in his later career by his own position as a literary lion. John H. Baker teaches for the Open University and the University of Westminster in London. |
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Page 79
... Sordello would com- bine clinamen and tessera . In fact , Browning represents himself as having picked up the torch Wordsworth has culpably dropped ( or sold ) . The sheer unfairness of this misreading , in the light of Paracelsus ...
... Sordello would com- bine clinamen and tessera . In fact , Browning represents himself as having picked up the torch Wordsworth has culpably dropped ( or sold ) . The sheer unfairness of this misreading , in the light of Paracelsus ...
Page 89
... Sordello uses the story of the republican hero Crescentius to spur himself on , and decides to espouse the Guelf cause as the closest approxi- mation to his ideal ( 4.927–75 ) . He has to embrace a gradualist vision of human progress ...
... Sordello uses the story of the republican hero Crescentius to spur himself on , and decides to espouse the Guelf cause as the closest approxi- mation to his ideal ( 4.927–75 ) . He has to embrace a gradualist vision of human progress ...
Page 183
... Sordello , 1.467-69 ; and Wordsworth , William Wordsworth , 74-75 , lines 522-23 . 33. Browning , Poems , 1 : 425-26 . 34. Arnold , Complete Prose Works , 3 : 121 , lines 33-37 . 35. Hazlitt , Spirit of the Age , 231–32 . 36. Woolford ...
... Sordello , 1.467-69 ; and Wordsworth , William Wordsworth , 74-75 , lines 522-23 . 33. Browning , Poems , 1 : 425-26 . 34. Arnold , Complete Prose Works , 3 : 121 , lines 33-37 . 35. Hazlitt , Spirit of the Age , 231–32 . 36. Woolford ...
Contents
ACKNOWLEDGMENTS A NOTE ON Texts 79 | 9 |
WHY BROWNING AND WORDSWORTH? | 15 |
WORDSWORTH AND BROWNINGS REJECTION | 23 |
Copyright | |
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achievement admiration aesthetic allowed appeared argues attack attempt attitude beauty become Bloom Browning Browning's Byron career clear common concern conclusion condemned continued correspondence critics death democratic demonstrates describes desire Dion dismissal dream earlier early edition entirely evidence example expressed fact failed feel felt Fifine follow forced heart hope human humanistic Ibid idea idealism imagination indication influence interest Juan Knight later lead letter light lines live Lost mankind metaphysical mind misreading nature never Nevertheless Paracelsus particular passage path Pauline period poem poet poet's poetic poetry points possible practical predecessor preface Prelude present published radical reader realistic reference rejection relationship romantic romanticism says seems seen selection Shelley Sordello sort soul stage story struggle suffering suggests things tion turn vision visionary Woolford Wordsworth Wordsworthian worth writing wrote