* Flew creaking o'er thy head, and had a charm For thee, my gentle-hearted Charles, to whom No sound is dissonant which tells of Life.
THE frost performs its secret ministry, Unhelped by any wind. The owlet's cry Came loud-and hark, again! loud as before. The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings: save that at my side My cradled infant slumbers peacefully. 'Tis calm indeed! so calm, that it disturbs And vexes meditation with its strange And extreme silentness. Sea, hill, and wood, This populous village! Sea, and hill, and wood, With all the numberless goings on of life Inaudible as dreams! the thin blue flame Lies on my low burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form,
Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself,
And makes a toy of Thought.
How oft, at school, with most believing mind, Presageful, have I gazed upon the bars, To watch that fluttering stranger! and as oft With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower, Whose bells, the poor man's only music, rang From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things I dreamt
Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Flew creaking.] Some months after I had written this line, it gave me pleasure to find that Bartram had observed the same circumstance of the Savanna Crane. "When these Birds move their wings in flight, their strokes are slow, moderate and regular; and even when at a considerable distance or high above us, we plainly hear the quill-feathers; their shafts and webs upon one another creak as the joints or working of a vessel in a tempestuous sea.
Fixed with mock study on my swimming book: Save if the door half opened, and I snatched A hasty glance, and still my heart leaped up, For still I hoped to see the stranger's face, Townsman, or aunt, or sister more beloved, My play-mate when we both were clothed alike! Dear babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the interspersed vacancies
And momentary pauses of the thought! My babe so beautiful! it thrills my heart With tender gladness, thus to look at thee, And think that thou shalt learn far other lore And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars. But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself. Great universal Teacher! he shall mould Thy spirit, and by giving make it ask.
Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eve-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.
THE NIGHTINGALE:
A CONVERSATION POEM. APRIL, 1798. No cloud, no relique of the sunken day Distinguishes the West, no long thin slip Of sullen light, no obscure trembling hues. Come, we will rest on this old mossy bridge! You see the glimmer of the stream beneath, But hear no murmuring: it flows silently, O'er its soft bed of verdure. All is still,
A balmy night! and though the stars be dim, Yet let us think upon the vernal showers
That gladden the green earth, and we shall find A pleasure in the dimness of the stars. And hark! the Nightingale begins its song, "Most musical, most melancholy" bird! A melancholy bird! Oh! idle thought! In nature there is nothing melancholy.
But some night-wandering man whose heart was pierced With the remembrance of a grievous wrong,
Or slow distemper, or neglected love,
(And so, poor wretch! filled all things with himself,
And made all gentle sounds tell back the tale
Of his own sorrow) he, and such as he,
First named these notes a melancholy strain.
And many a poet echoes the conceit;
Poet who hath been building up the rhyme
When he had better far have stretched his limbs Beside a brook in mossy forest-dell,
By sun or moon-light, to the influxes
Of shapes and sounds and shifting elements Surrendering his whole spirit, of his song And of his fame forgetful! so his fame Should share in Nature's immortality, A venerable thing! and so his song Should make all Nature lovelier, and itself Be loved like Nature! But 'twill not be so; And youths and maidens most poetical, Who lose the deepening twilights of the spring In ball-rooms and hot theatres, they still Full of meek sympathy must heave their sighs O'er Philomela's pity-pleading strains.
My Friend, and thou, our Sister! we have learnt A different lore: we may not thus profane Nature's sweet voices, always full of love And joyance! 'Tis the merry Nightingale That crowds, and hurries, and precipitates With fast thick warble his delicious notes, As he were fearful that an April night Would be too short for him to utter forth His love-chant, and disburthen his full soul Of all its music!
And I know a grove Of large extent, hard by a castle huge,
Which the great lord inhabits not; and so This grove is wild with tangling underwood, And the trim walks are broken up, and grass,
Thin grass and king-cups grow within the paths.
* "Most musical, most melancholy."] This passage in Milton possesses an excellence far superior to that of mere description. It is spoken in the character of the melancholy man, and has therefore a dramatic propriety. The author makes this remark, to rescue himself from the charge of having alluded with levity, to a line in Milton.
But never elsewhere in one place I knew So many nightingales; and far and near, In wood and thicket, over the wide grove, They answer and provoke each other's song, With skirmish and capricious passagings, And murmurs musical and swift jug jug, And one low piping sound more sweet than all- Stirring the air with such a harmony,
That should you close your eyes, you might almost Forget it was not day! On moon-lit bushes,
Whose dewy leaflets are but half disclosed,
You may perchance behold them on the twigs,
Their bright, bright eyes, their eyes both bright and full, Glistening, while many a glow-worm in the shade Lights up her love-torch.
A most gentle Maid,
Who dwelleth in her hospitable home Hard by the castle, and at latest eve (Even like a Lady vowed and dedicate
To something more than Nature in the grove)
Glides through the pathways; she knows all their notes, That gentle Maid! and oft a moment's space, What time the moon was lost behind a cloud, Hath heard a pause of silence; till the moon Emerging, hath awakened earth and sky With one sensation, and these wakeful birds Have all burst forth in choral minstrelsy, As if some sudden gale had swept at once A hundred airy harps! And she hath watched Many a nightingale perched giddily
On blossomy twig still swinging from the breeze. And to that motion tune his wanton song Like tipsy joy that reels with tossing head.
Farewell, O Warbler! till to-morrow eve, And you, my friends! farewell, a short farewell: We have been loitering long and pleasantly, And now for our dear homes.-That strain again! Full fain it would delay me! My dear babe, Who, capable of no articulate sound,
Mars all things with his imitative lisp, How he would place his hand beside his ear, His little hand, the small forefinger up,
And bid us listen! And I deem it wise
To make him Nature's play-mate. He knows well The evening-star; and once, when he awoke
In most distressful mood (some inward pain
Had made up that strange thing, an infant's dream) I hurried with him to our orchard-plot,
And he beheld the moon, and, hushed at once, Suspends his sobs, and laughs most silently,
While his fair eyes, that swam with undropped tears,
Did glitter in the yellow moon-beam! Well!- It is a father's tale: But if that Heaven Should give me life, his childhood shall grow up Familiar with these songs, that with the night He may associate joy.—Once more, farewell, Sweet Nightingale! Once more, my friends! farewell.
WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST.
I STOOD on Brocken's* sovran height, and saw Woods crowding upon woods, hills over hills, A surging scene, and only limited
By the blue distance. Heavily my way Downward I dragged through fir groves evermore, Where bright green moss heaves in sepulchral forms Speckled with sunshine; and, but seldom heard, The sweet bird's song became a hollow sound; And the breeze, murmuring indivisibly, Preserved its solemn murmur most distinct From many a note of many a waterfall,
And the brook's chatter; 'mid whose islet stones The dingy kidling with its tinkling bell Leaped frolicsome, or old romantic goat Sat, his white beard slow waving. I moved on In low and languid mood:† for I had found That outward forms, the loftiest, still receive Their finer influence from the Life within ;- Fair cyphers else: fair, but of import vague Or unconcerning, where the heart not finds History or prophecy of friend, or child. Or gentle maid, our first and early love, Or father, or the venerable name
Of our adored country! O thou Queen, Thou delegated Deity of Earth,
O dear, dear England! how my longing eye Turned westward, shaping in the steady clouds Thy sands and high white cliffs!
My native Land! Filled with the thought of thee this heart was proud, Yea, mine eye swam with tears: that all the view From sovran Brocken, woods and woody hills, Floated away, like a departing dream,
* The highest mountain in the Hartz, and indeed in North Germany, -When I have gazed
From some high eminence on goodly vales,
And cots and villages embowered below,
The thought would rise that all to me was strange Amid the scenes so fair, nor one small spot
Where my tired mind might rest, and call it home.
Southey's Hymn to the Penates
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