Shakespeare Survey, Volume 49Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by Allardyce Nicoll, numbers 19-33 by Kenneth Muir and numbers 34-52 by Stanley Wells. The virtues of accessible scholarship and a keen interest in performance, from Shakespeare's time to our own, have characterised the journal from the start. For the first time, numbers 1-50 are being reissued in paperback, available separately and as a set. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
The Challenges of Romeo and Juliet | 1 |
The Date and the Expected Venue of Romeo and Juliet | 15 |
The Bad Quarto of Romeo and Juliet | 27 |
The Places of Invention | 45 |
Desire and Presence in Romeo and Juliet | 57 |
A Bakhtinian Reading | 69 |
Ideology and the Feud in Romeo and Juliet | 87 |
The Legacy of Juliets Desire in Comedies of the Early 1600s | 97 |
Consumption Custom and Law in Alls Well That Ends Well | 181 |
Have you not read of some such thing? Sex and Sexual Stories in Othello | 201 |
French Leave or Lear and the King of France | 217 |
Harold Hobsons Shakespearian Theatre Criticism | 225 |
Shakespeare Performances in England 19941995 | 235 |
Professional Shakespeare Productions in the British Isles JanuaryDecember 1994 | 269 |
The Years Contributions to Shakespeare Studies | 281 |
3 Editions and Textual Studies | 310 |
Other editions - View all
Common terms and phrases
action actors appear argues audience become beginning body Cambridge Capulet changes characters contrast court critical cultural death Designer desire directions Director drama early edition editors effect Elizabethan English essay evidence example figures final Folio Friar gives Hamlet hand Henry idea interest John King language later Lear less lines London look lovers marriage meaning Mercutio nature never night notes Nurse offers opening original Othello Oxford Paris passage performance perhaps play play's possible present Press production Quarto question reading reference Renaissance response rhetoric Richard role Romeo and Juliet says scene seems seen sense sexual Shake Shakespeare shows social speak speech stage story suggests Theatre theatrical thou tion tragedy tragic turn University women writing York young