Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 95
... tion from original works of different countries , occasion in mixt languages like our own . The first and most important point to be proved is , that two conceptions perfectly distinct are confused under one and the same word , and ...
... tion from original works of different countries , occasion in mixt languages like our own . The first and most important point to be proved is , that two conceptions perfectly distinct are confused under one and the same word , and ...
Page 250
... tion of play - goers more virtuous than myself , or more dense . I freely confess that he divided the palm with me with his better brother ; that , in fact , I liked him quite as well . Not but there are passages , - like that , for ...
... tion of play - goers more virtuous than myself , or more dense . I freely confess that he divided the palm with me with his better brother ; that , in fact , I liked him quite as well . Not but there are passages , - like that , for ...
Page 584
... tion to copy the sentiments of the lower orders , is implied in his resolu- tion to make use of their style . .Now , the different classes of society have each of them a distinct character , as well as a separate idiom ; and the names ...
... tion to copy the sentiments of the lower orders , is implied in his resolu- tion to make use of their style . .Now , the different classes of society have each of them a distinct character , as well as a separate idiom ; and the names ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young