Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page xv
... spirit , in the Renaissance of the sixteenth century . " From Nathaniel Bailey's Dictionary , Pater uncovered a ... spirit of the personal essay is different from the spirit of our age , we ought to encounter it for that educational and ...
... spirit , in the Renaissance of the sixteenth century . " From Nathaniel Bailey's Dictionary , Pater uncovered a ... spirit of the personal essay is different from the spirit of our age , we ought to encounter it for that educational and ...
Page 281
... spirit of the world and the spirit of Christianity , not as the same , but as opposed to one another . He talked of those who had " inscribed the cross of Christ on banners dripping with human gore . " He made a poetical and pastoral ...
... spirit of the world and the spirit of Christianity , not as the same , but as opposed to one another . He talked of those who had " inscribed the cross of Christ on banners dripping with human gore . " He made a poetical and pastoral ...
Page 510
... spirit which it breathes : its secret alchemy turns to potable gold the poisonous waters which flow from death through life ; it strips the veil of familiarity from the world , and lays bare the naked and sleeping beauty , which is the ...
... spirit which it breathes : its secret alchemy turns to potable gold the poisonous waters which flow from death through life ; it strips the veil of familiarity from the world , and lays bare the naked and sleeping beauty , which is the ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young