Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 6
... side , and those of all the pains on the other . The balance , if it be on the side of pleasure , will give the good tendency of the act upon the whole , with respect to the interests of that individual person ; if on the side of pain ...
... side , and those of all the pains on the other . The balance , if it be on the side of pleasure , will give the good tendency of the act upon the whole , with respect to the interests of that individual person ; if on the side of pain ...
Page 348
... side ; and the eternal ocean and lasting despair and her face are before me . Slighted by her , on whom my heart by its last fibre hung , where shall I turn ? I wake with her by my side , not as my sweet bedfellow , but as the corpse of ...
... side ; and the eternal ocean and lasting despair and her face are before me . Slighted by her , on whom my heart by its last fibre hung , where shall I turn ? I wake with her by my side , not as my sweet bedfellow , but as the corpse of ...
Page 566
... side of the water . He came towards us , and threw his line over the two - arched Bridge . It is a Bridge of a heavy construction , almost bending inwards in the middle , but it is grey , and there is a look of ancientry in the ...
... side of the water . He came towards us , and threw his line over the two - arched Bridge . It is a Bridge of a heavy construction , almost bending inwards in the middle , but it is grey , and there is a look of ancientry in the ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young