Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 273
... seen . They have great merit . He has seen the old Welch bards on Snowdon - he has seen the Beautifullest , the Strongest , & the Ugliest Man , left alone from the Massacre of the Britons by the Romans , & has painted them from memory ...
... seen . They have great merit . He has seen the old Welch bards on Snowdon - he has seen the Beautifullest , the Strongest , & the Ugliest Man , left alone from the Massacre of the Britons by the Romans , & has painted them from memory ...
Page 444
... seen thee en- tering the gates of the golden dawn - with the secret word riding before thee - with the armies of the grave behind thee ; seen thee sinking , rising , raving , despairing ; a thousand times in the worlds of sleep have seen ...
... seen thee en- tering the gates of the golden dawn - with the secret word riding before thee - with the armies of the grave behind thee ; seen thee sinking , rising , raving , despairing ; a thousand times in the worlds of sleep have seen ...
Page 452
... seen ( and therefore quoad his consciousness has not seen ) that which he has seen every day of his life . But , to return from this digression , my understanding could furnish no reason why the knocking at the gate in Macbeth should ...
... seen ( and therefore quoad his consciousness has not seen ) that which he has seen every day of his life . But , to return from this digression , my understanding could furnish no reason why the knocking at the gate in Macbeth should ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young