Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 6
... produced by it in the first instance . 2. Of the value of each pain which appears to be produced by it in the first instance . 3. Of the value of each pleasure which appears to be produced by it after the first . This constitutes the ...
... produced by it in the first instance . 2. Of the value of each pain which appears to be produced by it in the first instance . 3. Of the value of each pleasure which appears to be produced by it after the first . This constitutes the ...
Page 68
... produced , which is genuine poetry ; in its nature well adapted to interest mankind permanently , and likewise important in the multi- plicity and quality of its moral relations . From what has been said , and from a perusal of the ...
... produced , which is genuine poetry ; in its nature well adapted to interest mankind permanently , and likewise important in the multi- plicity and quality of its moral relations . From what has been said , and from a perusal of the ...
Page 489
... produced in him by surrounding objects in a similar manner ; and language and gesture , together with plastic or pictorial imitation , become the image of the combined effect of those objects , and of his apprehension of them . Man in ...
... produced in him by surrounding objects in a similar manner ; and language and gesture , together with plastic or pictorial imitation , become the image of the combined effect of those objects , and of his apprehension of them . Man in ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
41 other sections not shown
Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young