Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 32
... pass along , the everlasting din of machinery ; and where when the bell rings it is to call wretches to their work instead of their prayers , . . . . Imagine this , and you have the materials for a picture of Manchester . The most ...
... pass along , the everlasting din of machinery ; and where when the bell rings it is to call wretches to their work instead of their prayers , . . . . Imagine this , and you have the materials for a picture of Manchester . The most ...
Page 119
... pass before that conscience which is indeed the inward eye : which is indeed " the bliss of solitude ? " Assuredly we seem to sink most abruptly , not to say burlesquely , and almost as in a medly from this couplet to " And then my ...
... pass before that conscience which is indeed the inward eye : which is indeed " the bliss of solitude ? " Assuredly we seem to sink most abruptly , not to say burlesquely , and almost as in a medly from this couplet to " And then my ...
Page 185
Carl Woodring. us : and small faults , which we readily pass by , are fitter for small folks , as grubs are the ... passing events before past actors , and to record the 2 Aeneid VI.282-284 . decisions of those whose interests and ...
Carl Woodring. us : and small faults , which we readily pass by , are fitter for small folks , as grubs are the ... passing events before past actors , and to record the 2 Aeneid VI.282-284 . decisions of those whose interests and ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young