Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 129
... observed , himself frequently unconscious of its worth , or its bearings . This is entirely different from the ... observation , I think by Dryden , ( to which indeed Dr. Johnson has fully replied ) that Shakespeare having carried the ...
... observed , himself frequently unconscious of its worth , or its bearings . This is entirely different from the ... observation , I think by Dryden , ( to which indeed Dr. Johnson has fully replied ) that Shakespeare having carried the ...
Page 131
... observation , and without the introduction of a single incongruous point . I honour , I love , the works of Fielding as much , or perhaps more , than those of any other writer of fiction of that kind : take Fielding in his characters of ...
... observation , and without the introduction of a single incongruous point . I honour , I love , the works of Fielding as much , or perhaps more , than those of any other writer of fiction of that kind : take Fielding in his characters of ...
Page 197
... observed , after dinner , carefully to gather up the remnants left at his table ( not many , nor very choice fragments , you may credit me ) — and , in an especial manner , these disreputable morsels , which he would convey away , and ...
... observed , after dinner , carefully to gather up the remnants left at his table ( not many , nor very choice fragments , you may credit me ) — and , in an especial manner , these disreputable morsels , which he would convey away , and ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young