Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 265
... night , like an intrench- ment , gone to bed as it seemed for the night , but promising that ye were to be seen in the morning . Coleridge had got a blazing fire in his study ; which is a large antique ill - shaped room , with an old ...
... night , like an intrench- ment , gone to bed as it seemed for the night , but promising that ye were to be seen in the morning . Coleridge had got a blazing fire in his study ; which is a large antique ill - shaped room , with an old ...
Page 419
... night before us is a night of victory ; and , behold ! to the ordinary display , what a heart - shaking addition ! - horses , men , carriages , all are dressed in laurels and flowers , oak - leaves and ribbons . The guards , as being ...
... night before us is a night of victory ; and , behold ! to the ordinary display , what a heart - shaking addition ! - horses , men , carriages , all are dressed in laurels and flowers , oak - leaves and ribbons . The guards , as being ...
Page 428
... night for the sake of fresh air ; meaning to fall in with the mail and resume my seat at the post - office . The night , however , being yet dark , as the moon had scarcely risen , and the streets being at that hour empty , so as to ...
... night for the sake of fresh air ; meaning to fall in with the mail and resume my seat at the post - office . The night , however , being yet dark , as the moon had scarcely risen , and the streets being at that hour empty , so as to ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young