Prose of the Romantic PeriodCarl Woodring Houghton Mifflin, 1961 - 600 pages Prose excerpts from the works of William Wordsworth, Samuel Taylor Coleridge, Walter Savage Landor, Charles Lamb, William Hazlitt, Leigh Hunt, Thomas de Quincey, Lord Byron, Percy Bysshe Shelley, John Keats, and others. |
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Page 177
... never of style , never of self , never of critics , cracked or sound . Like the miles of an open country , and of an ig- norant population , when they are correctly measured they become smaller . In the loftiest rooms and richest ...
... never of style , never of self , never of critics , cracked or sound . Like the miles of an open country , and of an ig- norant population , when they are correctly measured they become smaller . In the loftiest rooms and richest ...
Page 265
... never came again , while we stayed , we had no more fine sun sets ) and we entered Coleridge's comfortable study just in the dusk , when the mountains were all dark with clouds upon their heads . Such an impression I never received from ...
... never came again , while we stayed , we had no more fine sun sets ) and we entered Coleridge's comfortable study just in the dusk , when the mountains were all dark with clouds upon their heads . Such an impression I never received from ...
Page 559
... never lost so much time , as when he submitted to learn of the crow . The fox provides for himself , but God provides for the lion . Think in the morning . Act in the noon . Eat in the evening . Sleep in the night . He who has sufferd ...
... never lost so much time , as when he submitted to learn of the crow . The fox provides for himself , but God provides for the lion . Think in the morning . Act in the noon . Eat in the evening . Sleep in the night . He who has sufferd ...
Contents
JEREMY BENTHAM | 4 |
THOMAS PAINE | 11 |
THOMAS ROBERT MALTHUS | 20 |
Copyright | |
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Common terms and phrases
appeared beautiful become called carried cause character circumstances Coleridge common continued criticism death delight distinction dreams effect English equal essay existence expression face fancy feeling genius give hand head heart hope human idea images imagination impressions interest Italy John kind knowledge language less letters light lines living London look manner means MICHIGAN mind moral nature never night objects observed once original pain pass passion perfect perhaps person play pleasure poem poet poetical poetry present principle produced reader reason scene seems seen sense Shakespeare side society sound speak spirit style supposed taken thing thou thought tion true truth turn understanding universal whole wish Wordsworth write young